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"From the first it has been the theatre’s business to entertain people, as it also has of all the other arts. It is this business which always gives it its particular dignity; it needs no other passport than fun, but this it has got to have."
Welcome to RidgePlays.com.
As a writer, I have been inspired by Tennessee Williams (for his brilliant use of language), Neil Simon (for his brilliant use of humor) and Penny Sycamore, (who wrote plays simply because a typewriter was delivered to her home by mistake).
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Bertolt Brecht
In the vein of And Then There Were None, Clue and Murder by Death, The Vultures puts a modern, comedic, gay spin on the haunted house/ mystery genre.
The story takes place at Westmount Estate, on the 20th anniversary of the death of publishing magnate Simon West. As his six remaining relatives gather for the reading of his will, the mysterious housekeeper declares, “The relatives are swooping in like a wake of vultures ready to pick the carcass clean.”
Who will ultimately inherit the fortune? Will it be the charming realtor, the handsome male model, the dimwitted nail technician, the bitter old woman, the gay hairdresser, or the mild mannered accountant?
Throw in a priceless pocket watch, an androgynous housekeeper, an escaped mental patient, and a pair of reunited lovers and the result is murder, with a hefty dose of laughs.
The Vultures takes place over the course of one dark and stormy September evening of the current year and places a gay spin on the classic murder mystery genre.
As written, THE VULTURES requires 10 Actors. 2F, 7M and 1N. There is a little flexibility in the casting.
As written, THE VULTURES requires 10 Actors. 2F, 7M and 1N. There is a little flexibility in the casting. See notes below.
CAST OF CHARACTERS
(In Order of Appearance)
TALBOT
A dark, severe, androgynous, being.
Dresses in black and wears dark spectacles.
Age unknown – Somewhere between 50 and 80.
MR. CROSBY
A friendly lawyer in his 50’s or 60’s.
HARRISON BLYTHE
A tall, handsome male model with an amazing body.
Mid 30’s to early 40’s.
MARY ROBERTS
A stately, well-dressed, bitter old woman.
She appears to dislike everyone and everything.
ASHLEY HOPWOOD
A pleasant, nail technician from the South.
Late 20’s or early 30’s and she is not too bright.
CHARLES WILLARD
A charming, mild mannered realtor, in his 40’s.
PAUL JONES
A sweet, gentle accountant in his late 20’s or 30’s.
HUNTER WEST
A nice, charming young hairdresser, in his late 20’s or 30’s.
RINEHART
A hospital guard in his 30’s or 40’s. He is big, strong and can be brutal.
DR. AVERY
A friendly doctor in his 60’s or 70’s.
NOTES
The role of Talbot may be played by a male or female actor, however the character is a female and must be played as such. The role should not become a “man in drag” performance, one in which the audience is anxiously awaiting the moment he removes his wig and is revealed as man. Talbot is a person of mystery. Ideally, the audience should leave the theatre never really knowing the sex of the actor, even if this requires the curtain call to be taken in character, or an ambiguous listing in the program.
The gender of the characters can not be changed or altered in any way unless written permission is secured in advance. If you wish to cast someone who identifies as a different gender to that of the character they’re playing, this is permissible providing the character is played, costumed, and presented as the gender denoted in the text. In addition, you cannot not make any changes to the text to facilitate this casting. When the play is licensed, it must be performed as written with no changes, additions or cuts.
For companies concerned about the marijuana usage in the play, alternate pages are included in the back of the script.
While not recommended, the roles of Mr. Crosby and Dr. Avery could be played by the same actor, however this may add a layer of unwanted confusion to audience members.
THE VULTURES by Mark A. Ridge
Copyright © MMXVII by Mark A. Ridge
All rights reserved.
CAUTION: Professionals and amateurs are hereby warned that THE VULTURES is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages.
PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Heuer Publishing LLC. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Heuer Publishing LLC. Questions concerning other rights should be addressed to Heuer Publishing LLC. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Heuer Publishing LLC. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged.
AUTHOR CREDIT: All groups or individuals receiving permission to produce this Work must give the author(s) credit in any and all advertisement and publicity relating to the production of this Work. The author s billing must appear directly below the title on a separate line where no other written matter appears. The name of the author(s) must be at least 50% as large as the title of the Work. No person or entity may receive larger or more prominent credit than that which is given to the author(s).
PUBLISHER CREDIT: Whenever this Work is produced, all programs, advertisements, flyers or other printed material must include the following notice: COPYING: Any unauthorized copying of this Work or excerpts from this Work is strictly forbidden by law. No part of this Work may be reproduced, stored in a retrieval system, or transmitted in any form, by any means now known or yet to be invented, including photocopying or scanning, without prior permission from Heuer Publishing LLC.

KHAOS COMPANY THEATRE
Indianapolis, IN
STAGED READING - 11/2018
WRITTEN BY
MARK A. RIDGE
Based on works by John Willard, Mary Roberts Rinehart and Avery Hopwood.
AWARDS & COMPETITIONS
Jewel Box Theatre
Winner 2018 New Play Competition
ScreenCraft Stage Play Competition
Quarter Finalist - 2018 National Contest
Branch Community Theatre
Runner Up - 2018 Robert J. Pickering Award
Khaos Company Theatre
Finalist - 2018 New Play Competition
Rover Dramawerks
Top Five Finalist - 2018 New Play Competition
Norwich Theatre Company (Coming Soon)
Norwich, NY
Evolution Theatre (Coming Soon)
Dublin, OH
Theaterschool De Zuiderlingen
Maastricht, Netherlands
Kings Players
Hanford, CA
Evergreen Productions, Inc.
Green Bay, WI
Buck Creek Players, Inc.
Indianapolis, IN
Rosemead High School
South El Monte, CA
Lakewood Theatre
Madison, ME
The Florentine Players
Omaha, NE
Theatrical Tendencies
Milwaukee, WI
Towne Players of Ken-Ton
Tonawanda, NY
Jewel Box Theatre
Oklahoma City, OK
Evolution Theatre Company
Columbus, OH
Proudmary Theatre Company
Zoom Reading
Spartanburg, SC
The Downeaster Theatre
Reading
Lansing, MI
Three Cat Productions
Staged Reading
Chicago, IL
Shawnee Playhouse
Zoom Reading
Shawnee on Delaware, Pennsylvania
Khaos Company Theatre
Reading
Indianapolis, IN
